First published on 18 Dec 2012. Updated on 23 Jan 2013.
Two Door Cinema Club have been filling our ears with their uplifting indie-pop madness since early 2010 with the aid of super-cool French record label, Kitsune. The Belfast boys have delivered two solid records and released a new documentary – a film which captures a slice of their hectic lives and intimately reveals the boys’ individual passions from photography to butterfly-stroke swimming. It’s been a crazy few years for TDCC – number one singles, 300 days of touring in a single year, lead singer Alex Trimble playing the Olympic opening ceremony, and now their Australian shows. Trimble took a few moments out of his schedule to chat with us being in the movies and performing on stage.
You’ve already been out here for Laneway Festival and Splendour – looking forward to returning?
Yeah! I remember we had three days off in Byron Bay – and that was just perfect start to an Australian tour. It’s a beautiful place as well. Byron Bay would have to be one of the most tranquil and stunning places that I’ve ever been to.
Your latest record, Beacon, is complemented by the documentary What We See. How did that come about?
It was all our idea – sort of. Gregg [Houston], who made the film, has been a friend of ours for years and years. We just love his work – he has made so many film clips and things that we just love. We had reached sort of the cusp of that next level, just about to move up, playing bigger venues and bigger festivals and things were getting kind of crazy, so we wanted to capture that on film. Not only for our sake and our memory but to really show people what goes on.
In the film you speak about how when sometimes things go wrong they can actually be the most memorable and best moments. Any of those that come to mind?
Actually, just after we got back from Australia last time and we had done Like a Version on Triple J – we had covered Simon and Garfunkel. Then we went straight to the States and we were playing in Minneapolis and Ben our live drummer kicked through his bass drum – and we didn’t have another drum kit. So I ran into the dressing room and grabbed an acoustic guitar and everyone had a sing-song to Simon and Garfunkel. And it was totally unscheduled, totally unplanned, but it was kind of amazing, just to have that spark.
You also said in the film that after the first few years you felt like you’d been everywhere, but you hadn’t really seen anything. How do you now approach touring and travelling differently now, so that you can see that little bit more?
I guess things have become a little easier now that we have moved to that next level. At the start, things were so busy – we were trying to promote a record and trying to tour the world on ambition alone. We didn’t have a lot of money so we were doing it everything on a shoestring. We’d be hauled up in a van together and everyone would be chipping in on the driving, drives would be so long, and we’d be so tired. Then we’d wake up wherever we needed to be do the sound check, play the show, maybe have dinner if we were lucky and then you’d have to drive to find somewhere to sleep then night, then the next day get up and do the exact same thing. This time round we are lucky enough to be flying places and we have our own tour bus and it’s incredible the difference that makes. Now it can just be something as simple as getting a coffee or walking around the city or just sitting down somewhere and taking it in and that makes such a huge difference. I remember not knowing what city we were in a couple of years ago. These days I make sure I get a sense of where I am.
Are you ever surprised on stage any more?
I remember coming back to Reading Festival this year and we were playing the same stage. And the first time was one of the most incredible moments of my whole life. We didn’t realise that people knew who we were, and we were playing to about 10,000 people, all of whom were singing back every word, and it was every word that I’d written in the loft above my parents’ garage, when I was 16 or 17. Then this year, waiting to go on, even later at night, to even more people, and all those feelings came back to me and I remembered standing in the same place two years before. And I just didn’t know what was going to happen – I didn’t know if it was going to be the same, if it was going to be better, worse and that really got me going and that adrenalin that goes shooting through your body and the electricity that’s generated, not only with in ourselves, but between the three of us as well.
If you had to make an New Year’s resolution as a band what would it be?
I think what I would love to do is to spend more time being creative and making music. It’s so difficult with the way things are today, touring is so important to maintain a profile but to also really make a career, both financially and everything else but the reason why I got into this is to make music and to record music – I love being in the studio. If there is anything that I’d like to do more it’d be making music and writing songs and creating.