Is going upmarket sending Surry Hills downhill?

Has Surry Hills lost its edge?

First published on 22 Feb 2012. Updated on 23 Feb 2012.

Has Surry Hills lost its edge? That was the big question tabled by Time Out to a crowd of influential Sydney identities recently at the Cricketers Arms’ Bistro Morelli.
 

Maya Stocks, artist/designer

“Surry Hills was so inspiring in my teen years. Now I’m back after 14 years abroad and it feels really homogenised.”

 

 

Ralph Myers, artistic director,
Belvoir St Theatre

"Post-war Surry Hills was working class, then came the artists and bohemians, now it's the nouveau riche. Belvoir sits squarely on that housing estate/ arts community schism so, like it or not, we’ll respond to this changing scene."

 

 

Hellen Rose, performance artist

“If they turned the Town Hall into a taco bar there’d be an outcry, but not in Surry Hills. This used to be a place where music was everywhere and pubs were think tanks. Now cash is killing culture rather than aiding it. The soul of Surry Hills is being smothered.”

 

 

Rich Roberts, creative industries specialist

“Sydney wants to be Los Angeles but LA doesn’t have a soul. I see here what I saw happen to Camden in London, but when I walk down Little Riley Street I still love it. I think the rise of small bars and reactivated laneways has been great for Surry Hills.”
 

 

 

Andy Kent, You Am I/
Love Police Records

“Sydney doesn’t respect its cultural heritage. We need a tangible organised history of Surry Hills so people who are new to the suburb can understand that these streets inspired The Harp in the South and formed the Beasts of Bourbon and Hoodoo Gurus.”

 

 

Nathan Hudson, singer-songwriter, Faker

“I’ve played all the venues, drunk in all the bars, hit all the clubs. But I also spent five years volunteering at a refuge on the needle-exchange night shift. Drug users, sex workers, homeless youth – Surry Hills has changed but that ‘colourful’ side still exists.”

 

 

Stephen Ferris, FBI radio DJ

“Surry Hills has become a professional’s playground and young creatives have to live somewhere else. The dollar power of property developers rules now. But a monopoly of power in venues is dangerous – we need to set a limit on how many bars people can own.”

 

 

Anna Plunkett, designer, Romance Was Born

“I’m a country girl but Surry Hills is my home away from home, personally and professionally. I’d like to see the crazy, wild, completely off-the-hook party that was the Surry Hills Festival returned to run the length of Crown Street and shake it up again.”

 

 

Mark Poston, CEO, EMI Australia

“I love highbrow, I love lowbrow… so I love Surry Hills. EMI relocated to Flinders Street in 2011 because I wanted to rebuild some mystique into the office and give back to the community. That’s why our front window showcases local artists like Beastman.”
 

 

 

Dominic Juillet, Cricketers Arms licensee

“Between 1996–2000 [the pub] didn’t get one complaint but since 2005 it’s been a nightmare. New residents complain about loud footsteps, even people talking as they walk past. The cops used to help block this street for the Golden Bone dog race on Australia Day!”

 

 

Jack Tarlinton, publisher, Skateboarders Journal

“Surry Hills used to be genuine, a place of real substance, a home and hub for artists and cartoonists. Now it’s where 20-somethings come to fuck up without giving anything back. But creativity isn’t an organised sport, you have to do things on a grassroots level.”

 

 

Nick Dent, Time Out editor

We lost the Hopetoun and the Excelsior as venues. The rents are scaring off the bohemians. But here’s the positive: Surry Hills is hands-down the best place to eat, drink and brunch in Sydney. Question is, can we keep the cool factor but retain a sense of community and shared recent history?”

By Time Out Sydney editors   |  
 

Readers' comments, reviews and pictures

Community guidelines

blog comments powered by Disqus
 


© 2007 - 2013 Time Out Group Ltd. All rights reserved. All material on this site is © Time Out.