The first thing that springs to mind when viewing Scott Pilgrim vs The World is that
director Edgar Wright is a genius. Never before has a comic book been so
gracefully transferred to the big screen than in his latest effort, based on
the series of graphic novels by Bryan Lee O'Malley.
The title character is a hipster
heartbreaker who meets the girl of his dreams and in order to be with her must defeat her seven evil exes in combat. Even if you aren't familiar
with the source material, the movie lays everything out quickly and you never
feel like you are missing out on anything.
Wright's success on this film comes from meeting his stylistic references on their
own territory: onomatopoeic words accompany sound effects just like in comic
books; videogame powerups float around in 8-bit glory; and martial arts battles
climax in eye-shattering visuals reminiscent of anime. Clever direction and
editing give the movie the feel of actually reading the comics themselves, with
scenes flowing and blending like comic panels and great physical comedy adding
a hint of classic cartoons to the mix.
The casting is flawless. As Scott, Michael
Cera finally gets to showcase a wider range of talent than his usual ‘simpering
teen' role. He is excellent, not only capturing the humourous, vunerable side of
his character, but also playing a mightily convincing hero. Mary Elizabeth
Winstead is both charming and mysterious as Scott's object of desire, and Jason
Schwartzman gleefully chomps the scenery as the main villain Gideon. Special
mentions have to go to Kieran Culkin as Scott's wry, gay roommate Wallace and Aubrey Plaza
as the foul-mouthed social busybody Julie Powers.
With a tight, hilarious script, excellent special effects, brilliant cultural references and a story that marries romance and action perfectly, Scott Pilgrim is
potentially the most fun movie to come out this year – a kinetic epic that both
stands for and gently lampoons the generation it came from. Superheroes should be so lucky to get this treatment. Jonathon Valenzuela