Hard work and talent will get you started on the path to
fame and fortune. The rest, it appears, is up to luck and YouTube. Just ask
Swedish folk duo First Aid Kit.
Review: You have to hand it to them: at only 17 and 19 years of age,
Johanna and Klara Soderberg have stage presence. Halfway through their set the
Swedish sisters politely ask for quiet and everyone in the place acquiesces to
their request, even the bartenders, and the room is silent. The completely
unplugged rendition of ‘Ghost Town' that followed left more than a few eyes
glazed with tears. Breaking the ensuing reverie they launched straight into ‘I Met
Up with the King', lifting the mood and banishing the mournful air as quickly
as they conjured it.
Following Daisy Tulley's slightly petulant support set, the
simple seventies frocks and fresh smiling faces of the sisters, accompanied on
drums by their tour manager Dale, made for a sweet and highly engaging
performance. Heavily influenced by US country and folk musicians and with
accents tinged with American inflections it's easy to forget that First Aid Kit
made a name for themselves singing in the Scandinavian forest. While it was
generally Klara's strong vocals that led the songs, Johanna's close harmonies
provided a layered quality that complimented the sharper timbre of her older
sisters voice.
In ‘You're Not Coming Home Tonight'
the audiences eyes battled with their hearts to remember that the singer was
not a disgruntled housewife while ‘Tangerines' so perfectly captured the
betrayal of infidelity that it was unnerving to see it come from one so young.
The covers of Fever Ray's ‘When I
Grow Up' and Fleet Foxes' ‘Tiger Mountain Peasant Song' were both tributes to
the artists for their support of the band and as the final song First Aid Kit
once again went unplugged but this time climbed down into the crowd to perform
‘Universal Soldier' by Buffy Sainte-Marie.
First Aid Kit manipulated and
managed the emotions of the audience skilfully and kept people riveted to the
very last note. This was the sort of show that leaves you feeling smug as you
realise that no matter how often First Aid Kit comes back, or how big they get
over the coming years, you saw them first. Emily Lloyd-Tait
For Swedish sisters, Klara and Johanna Söderberg, youthful enthusiasm and luck have played
their part. A YouTube video of them swaddled in heavy knitted jumpers in a
Swedish forest covering Fleet Foxes ‘Tiger Mountain Peasant Song' was never
intended as anything more than idle amusement for the teenagers; however with
over one and a half million views and a thumbs up from the original artists it
has propelled the girls from a local folk group kicking it around Stockholm, to
a band embarking on their first international tour, as Klara explains.
When did you begin playing music together? We started making songs in 2007. I started listening to
Bright Eyes when I was 12 and through that I found a lot of folk music so I
started writing some songs. I recorded a demo of a song and Johanna recorded
the harmonies on it. We listened to it and thought it sounded so good and so we
thought that this was something that we could do together. Who influences your music? We listen to a lot of Leonard Cohen, Graham Parsons and
Johanna Newsom. We really like the tradition in old country music where they
talk about old outlaws and these really horrible stories - we like that
especially because there's a lot of songs where the story is very tragic and
the song sounds really happy and we really like that contrast.
A lot of your songs are strongly narrative. Where do you
get the stories for your songs? It's a mix of things from our lives and ideas that come to
us. Its pretty obvious that a lot of what we write about isn't something that
we've experienced ourselves because we are a bit too young to have gone off and
been married for a long time. It's a lot of fiction. I think people have this
idea that being a songwriter everything you do needs to be autobiographical but
I don't really think that's the case. If every songwriter had to write about
something that happens in their life we'd have a lot more boring songs about
everyday life - or conversely, people would have crazy lives if all those
stories were true.
Is it difficult being as young as you are in this
industry? No not really, I think it's a great advantage to have this
amount of time to just work it out and see where we're going to go but of
course I guess people can look down on us for being young but whatever bad
things come from being young are going to pass because we are going to get
older. I think mostly it's just positive for us.
I guess a lot of folks probably tend to underestimate
young people. We get that a lot but I think young people are capable of a
lot of things. We've had a lot of luck and a lot of will and we've made it
happen. You have to have the courage to do it and believe in yourself but
that's not always easy when you're young and you're trying to find yourself or
whatever.
Was the ‘Tiger Mountain Peasant Song' cover a conscious
attempt to get peoples attention? No, that was just something we did because we really love
Fleet Foxes. We never had any plans that anyone would ever see that video, it
was just something that we did for the fun of it. We'd played that song before
in our live shows so we thought ‘let's record it for fun'. We didn't have any
thought of the band seeing it themselves, which they did, and that was just
amazing,
That'd be the luck you were talking about? Yeah exactly: we just had good timing, which we didn't
really plan.
Why do you write your songs in English and not Swedish? Writing songs just comes naturally in English. It's hard to
explain to a native English speaker but for us, that's just the way we write.
We write songs it in English but I count in [the band] in Swedish because I
like the feeling of keeping that small part, it makes us feel more down to
earth and more like we are still in Sweden just rehearsing our songs. Also our
drummer is Swedish and we're Swedish so why not count in in Swedish? Most of the music I listen to is in English so when I sing
in English it feels natural Also its something about the Swedish language, it feels more
naked: singing in Swedish feels a lot more vulnerable.