An absent Lisa Mitchell took out the 2009 Australian Music
Prize – and the $30,000 that accompanies it – in a ceremony at the Museum of Contemporary Art on Fri 12 Mar for her
album Wonder, marking a series of firsts
for the awards. While the platinum-selling Warners release wasn't the first major-label
release to take the gong (Augie March's SonyBMG effort Moo, You Bloody Choir won the second AMP award in 2006), she is the first
solo artist and first female to take out the prize (the other winners,
incidentally, were Eddy Current Supression Ring for Primary Colours in 2008, The Mess Hall's Devils Elbow in 2007 and The Drones for the inaugural AMP in 2005for Wait Long by the River and the Bodies of your Enemies will Float
By– so Ms Mitchell is in pretty exquisite company).
As for the all-industry ceremony itself, the biz – who, in
great Australian music industry tradition, had a lot of trouble keeping quiet
for the speeches – were entertained by Perry Keyes and Red Bull Award In
Recognition of Outstanding Potential winners Oh Mercy before the
formalities began. MTV personalities MCs Jane Gazzo and Kyle Linahan gamely
persevered as the antsy crowd awaited the result, although attention was paid during
the speeches from SPA's LeighTreweek (who called on the federal government to
look to protect live venues as per the National Trust, as places of cultural
importance) and the PPCA's Stephen Peach (railing against the move to eliminate
Australian music quotas on radio). Then the AMP's founder Scott Murphy called
upon "the Federal Member for Kingsford Smith, and global member for Midnight
Oil" to give the keynote.
Peter Garrett's speech was passionate and enthusiastic – as
befits the man – and got in a plug for his Music in Schools program – as befits
a politician: and given his acknowledgement that talent and passion is never
the problem in the Australian music industry, but access to resources and
support is, let's see how he takes the challenges from Treweek and Peach to
protect our venues and airwaves. AMP judges Deb Conway and Holly Throsby then
unveiled the winner, who delivered a pre-recorded thank you via video from the UK, where she's currently on tour – and everyone geared up for the afterparty. It could have
been a tighter affair, sure, but the AMP neatly represented the Australian music industry in general. It's a bit
messy, a bit disorganised, but hell: we do good work.
The Australian Music Prize 2009 Shortlist:
Oh Mercy, Privileged Woes
Black Cab, Call Signs
Kid Sam, Kid Sam LP
Lisa Mitchell, Wonder
Urthboy, Spitshine
The Mess Hall, For the Birds
Sarah Blasko, As Day Follows Night
Lucie Thorne, Black Across the Field
Bertie Blackman, Secrets and Lies
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