Annie

06 Jan-29 Feb ,

Kids,

Musicals,

Performances,

Theatre,

Theatre reviews

Recommended
4

Smile, darn ya, smile! (You will.) 

First published on . Updated on 1 Mar 2012.

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Review by Bill Blake, aged seven, very likely the youngest theatre critic in the world (certainly shaping up to be one of the most prolific)

The night didn’t start so good. My packet of Maltesers exploded everywhere when I opened it. Everyone in my row laughed. But I was OK with that.

Annie is about a little 11-year-old girl who is adopted by Oliver Warbucks, a billionaire in New York City in 1933. But there is a problem: a criminal called Rooster (who crows like a rooster) and his girlfriend are dressing up as Annie’s missing parents. They want the $50,000 that Warbucks has promised to help find Annie’s real mum and dad.

I thought the girl playing Annie was a good actor considering she is a child. She was convincing. The other orphans were really good, too. The best songs in the whole show are when they were singing as a group. I like seeing kids on stage.

But Annie’s curly wig was stupid. Luckily she only wears that wig right at the end.

The grown-ups are really terrific. One bit I thought was funny was when the President (Alan Jones) told his one of his staff to sing but the guy just muttered the song 'Tomorrow'. Then he really got into it with jazz hands and wiggling his bum. It’s crazy to think that Miss Hannigan (Nancye Hayes) is Rooster’s sister, though. She’s older by 40 years!

I liked the Warbucks mansion. I thought it looked good – especially the old telephone he had. If Daddy Warbucks keeps earning money, he’ll be a trillionaire.

I liked the shaggy dog but he didn’t do much. When he popped out of a Christmas present, he just walked out in a boring way as if he was saying 'whatever'. It would have been cuter if he just put his paws over the edge of present and panted and looked cute.

Some of the orphanage scenes were a bit dull with all the girls complaining all the time. The mansion scenes were the best because everyone was happy.

Annie made me feel very happy. I was doing jazz hands at the party after the show and I danced a lot on the way home.

I give this show 4/5. You don’t have to be a kid to like this show. People who like stupid wigs and really happy people will like this show. If you’re a grumpy person, it might lift your spirits.

****
 
Review by Darryn King, aged twenty-seven
 
Believe it or not, there’s a quality show beneath that hideous furry ranga afro. Daggy as it may appear at first blush, Annie is up there with the great American musicals, boasting superb songs, bouncy dance numbers – and a dog onstage. Who the heck doesn’t love a dog on stage?
 
Annie (Ella Nicol on opening night) is just one pint-sized inmate doing time in the Girls’ Annex of the New York City Municipal Orphanage, under the boozy supervision of Miss Hannigan (Nancye Hayes). With her anachronistically sunny disposition (“Leapin’ lizards!”) Annie charms her way into the Fifth Avenue and 82nd Street residence of billionaire Oliver Warbucks (Anthony Warlow) – a man so preposterously wealthy he has a Rodin in the study, and whose name helpfully and coincidentally has the word ‘bucks’ in it. Warbucks warms to Annie quickly, in between songs – efficient musical theatre storytelling, this – but Annie still aches for her parents, and Miss Hannigan and her crooked brother Rooster (Todd McKenney) have their own plans for the orphan.
 
You can’t really go wrong with Charles Strouse’s music, which kicks off Annie with the soaring, uplifting strains of ‘Tomorrow’ and sustains that level of feel-good for the next two hours. The orphan girl numbers ‘Hard-Knock Life’ and ‘You’re Never Fully Dressed Without a Smile’ are as cheek-pinchingly cute as Annie’s lament ‘Maybe’ is heartbreaking. ‘Tomorrow’ – written originally as a piece of musical carpentry to conceal a scene change – is predictably reprised again and again. But the song, and Ella’s clear, confident rendition of it, is so darned beautiful you don’t ever mind.
 
The adults are very good – chrome dome or no, could anyone do Warbucks as well as Warlow? – but it’s the cast members with baby teeth still intact who steal this show. With Kelly Aykers’s choreography and the musical direction of Peter Casey, the orphan girls (on opening night: Zoe Ioannou, Kirsten Tsoltoudis, Morgan Townsend, Emily Roach, Kayley Smith, Jade Gillis and Natasha Mills joining Ella’s Annie) are simply awesome. And Ella Nicol (don’t worry, she’s not in that evil wig for most of the show) is many different types of adorable as the ragamuffin Annie.
 
Annie is joyous, tuneful and heart-filled family entertainment. You don’t even have to be a six-year-old girl to enjoy it.
 
Though, judging by the high-pitched reception from the opening night audience, that might help.
 
(Note: Darryn's Maltesers packet lasted the whole performance.)
 

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Words by Bill Blake (age 7); Darryn King (age 27)

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Sydney Lyric Theatre


Address
The Star
80 Pyrmont Street

Pyrmont 2009

Telephone 02 9657 9657

Price from $40.00 to $135.90

Date 06 Jan-29 Feb

Open Wed-Sat 8pm; Wed 1pm & Sat 2pm; Sun 1pm & 6pm

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